Woordfees: “Bul” – ’n skouspel van kantoorpolitiek en emosie In die hart van die korporatiewe kantoor-omgewing, waar ambisie en intriges saamsmelt, ontvou Bul – ’n meesleurende blik op...
Woordfees: A standing ovation for Beethoven’s Triple Concerto The audience was able to leave their reality at the auditorium doors and allow their emotions to be guided...
Woordfees: The eerie brilliance of ‘The Woman Who Fed the Dogs’ Viewers are exposed to a haunting and thought-provoking play that delves into the darkest corners of human existence, examining...
‘Just write’ – Grassroots poet from Franschhoek hopes to inspire others “Poetry helps one to realize that it’s okay not to be okay, because it helps you to better yourself...
REVIEW: Zephany taken, Miché returned The infamous kidnapping case of Zephany Nurse is explored in Girl, Taken, a 92-minute documentary which follows Zephany’s disappearance,...
What comes after being a trophy wife? In this humorous South African theatre production, a former housewife deals with loss, experiences self-growth, explores the modern dating...
RESENSIE: Alles wat rooi is in Net Ons Die eerste oomblikke van die kortfilm Net Ons is in rooi getooi. Hoofkarakters Angel en Lorenzo ontmoet om elkeen...
Van Coke gesels oor sterflikheid en ‘Kanniedood’ Die Bellville-rockkunstenaar Francois van Coke en sy musiekgroep, Die Gevaar, het die gewoonlik rustige Jan Marais Natuurreservaat Woensdagaand, 12...
REVIEW: Babyboy Kleintjies – Stellenbosch’s sins in a “Checkers sakkie” Athol Fugard’s latest play, Concerning the Life of Babyboy Kleintjies, spurs a conversation on homelessness and the human condition....
Unpacking Wynand Kotze’s Tollie Parton As a love letter to himself, and as a middle finger to everyone who thinks being gay is a...