Woordfees: Looking behind the bars, a Q&A with Romy Titus Through the powerful story of Morwesi Theledi’s daunting experience of giving birth during her seven years in prison, Born...
Woordfees: The limitations of Le Franc’s minimal dialogue Djibril Diop Mambéty’s Le Franc is a challenging cinematic experience due to its almost complete lack of dialogue. While...
Woordfees: Luister, nie kyk, na dié dokumentêr Die dokumentêr, Call of the Wild, daag die kyker uit om dinge uit ’n ander perspektief te sien. Of...
Woordfees: Film charts theatre of apartheid resistance South African poet and playwright Adam Small was renowned for the sheer brilliance of the way his plays worked...
Woordfees on the streets It’s day seven of Woordfees, and things are in full swing – ambient music in the air, ice clinking...
Woordfees: Die tragiese saak van Pamina Vermaak – ’n hartroerende liefdesverhaal van vergifnis en selfaanvaarding Die Afrikaanse rolprent, Die tragiese saak van Pamina Vermaak, met ’n looptyd van 110 minute, neem sy kykers op...
Woordfees: Alan Committie – Master of funny Tears of joy were shed as the audience erupted into uncontrollable laughter at Alan Committie’s performance of excerpts of...
Woordfees: A Whimsical Journey in Shakespeare’s ‘A Midsummer Night’s Dream’ Through his directorial vision, Geoffrey Hyland transports the audience into a world of enchantment and comedy in Shakespeare’s A...
Woordfees: White victim mentality posing as satire? There are undeniable issues facing South Africa. Corruption plagues state-owned entities that have been run into the ground, the...
Woordfees: How ‘The Animal – What a word!’ Gives voice to the voiceless A review of The Animal – What a word! by Wilma Cruise In her exhibition The Animal – What...